ASSISTING THE PERFORMING ARTS

Following the devastating effects on the entertainment industry of the COVID-19 pandemic, the Seaborn, Broughton & Walford Foundation responded to the crisis by becoming a 'seed funder' of the ABF's COVID 19 EMERGENCY ASSISTANCE FUND. The Foundation’s Grant Round funding, was quickly re-allocated to provide relief to members the performing arts community in desperate need of emergency financial assistance. As the situation has eased now, the Foundation is, once again, awarding Grants to groups and Individuals seeking financial assistance to fund forthcoming performing arts projects. Application forms can be found on this website.

The Mission of the Seaborn, Broughton & Walford Foundation

To promote and encourage the knowledge, understanding, appreciation and enjoyment of drama, opera, dance, mime, music, puppetry and all other forms and facets of the performing arts in all their expressions within Australia.

MISSION AND OBJECTIVES

Benefiting the Australian Performing Arts Since 1986

The Foundation since its inception is proud to have been able to assist many organisations and persons including the following. Read more...

The Seaborn, Broughton & Walford Foundation was founded in 1986 as a charitable organisation to benefit the Australian Performing Arts. It originated when the Griffin Theatre Company, who were doing such valiant work in promoting Australian plays and playwrights, appealed for somebody to save the historic Stables Theatre at Kings Cross. Dr Seaborn became this saviour when he stepped forward and generously organised the purchase of the Stables Theatre by his newly-established Seaborn, Broughton & Walford Foundation. The Griffin Theatre Company has consequently benefited from this remarkable philanthropic gift allowing it the use of the SBW Stables Theatre rent free (less outgoings) for close on four decades, as well as reduced rental for its offices, next door. This arrangement continued until the Griffin Theatre Company was able to secure significant Government funding and alternate patronage, enabling it to purchase the theatre outright.